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Independent Comics I Love April 2023

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Introduction

I last wrote a comics review just over 2 years ago. According to the headline of that one, March of 2021. What bring them back, suddenly, almost two years to the day? Why does anything happen around here? I get an idea, bake it about half way, then unleash it on an unsuspecting public. And, so, Independent Comics I Love April 2023.

When I started writing (remember the half baked part), I wondered if April 2023 represented the actual release date of these comics. I receive an automatically pulled list of comics from Discount Comic Book Service every month. So, while these comics arrived on my doorstep at the end of April, they very well could have been released as long ago as January or February and I’d never know the difference.

Note: Some research led me to the conclusion that all of these comics have April release dates. So, score one for the good guys.

Code Name Ric Flair Magic Eightball (Scout Comics)

(James Haick III – Writer, Raphael Loureiro – Artist) I noticed this comic in my news feed, perhaps, a couple of months ago. I remember that I texted Chris about it in some form or fashion. He showed no interest if I remember correctly. Me, on the other hand, as a wrestling geek from a young age, I knew that I had to have the book. After reading it, what can I say? Ric Flair, noted womanizer, alcoholic, and drug addict is given a pass by the book. All of the man’s very human flaws are written off as necessary to his secret life as a double agent. I never expected great literature out of this book, but it could have been handled so differently and much better. I think the book is supposed to be read as satire. Maybe that’s me giving it too much credit. Because, if so, the satire is clumsy.

Spawn #340 (Image Comics)

(Rory McConville – Writer with Uncle Todd given “additional script” credit, Carlo Barberi – Artist) I never read Spawn for the story. Sure, I enjoyed the story, but I never read the book because of the story. Todd McFarlane, and later Greg Capullo, Philip Tan, and Angel Medina, draw such a detailed and rich universe that I can’t help but be drawn into it. The story, while very good in parts, rarely was the driving force behind the book for me. That changed a few years ago when I started collecting again. I loved the Dark Horror story and then slogged through some of the stories after that where Spawn becomes a terrorist agent because the US government was infiltrated by demons or something. I

loved issue 300 and the promised “reboot” of Spawn’s powers. Then things went up and down. Finally, I stopped writing reviews for some reason or another. The point of this all is that I don’t know how I feel about this story. Again, I love the art. But, this story of Spawn and Haunt infiltrating heaven feels a little too much like the Enemy of the State story. Who knows? Maybe if I read some of the back issues I neglected, it makes more sense. Stay tuned.

Teenage Mutant Ninja Turtles #139 (IDW Publishing)

(Sophie Campbell – Writer with additional credit to Kevin Eastman and Tom Waltz, Fero Pe – Artist) I need to come clean and admit I haven’t read this on yet. I texted Chris a couple of months ago. While perusing the comics at That’s Entertainment, I found the TMNT Armageddon Game imprint and started flipping through the issues. They hooked me with the story, but not having had time until now to sit down and read the books, I don’t want to spoil the story for me. But, consider this a success that instead of simply one book on my independent reading list (Spawn), I now have three for this month.

The Verdict

Admittedly, my return to review writing with independent comics I love April 2023 is a bit rocky. Two books that didn’t live up to expectation and one that I haven’t even read yet. But, I plan to catch up on Spawn to try to get hyped for the next couple of issues. I also need to read the Armageddon Game to see if that one lives up to the hype I created in my head. Until Wednesday, fellow comic fans!

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Love Letter to Spawn 314

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Introduction

Well, as expected, Spawn 314 represents another step in the recent history of the roller coaster of quality. Up for a few months, down for a few months, back up for a few months. The last few issues looked to be building to something. You can draw your own conclusions before I reveal my thoughts.

Trust me.

See, I told you. Right back. Spawn 314 is boring. It is the first issue of Spawn that I haven’t read cover to cover. I skimmed through the fight with Hulk Spawn (more on that later) or whatever. I completely ignored the soliloquy from Omega Spawn that covered way too many pages. I saw hate a few weeks ago for a page that Donny Cates wrote for Venom because it was just 9 panels of Eddie’s face. I’ll take that over whatever this issue was any day.

You might argue against the title of the article Never mind that “Love Letter to Spawn ***” grew out of my attempt to turn my “Headline Analyzer” green. And, it worked. Nevertheless, I still love Spawn. I will always love Spawn in the same way that I love Mario and Sonic. The book introduced me to more “adult” themed comics and started my life long (and consistent again) collection of them. Why, then, don’t I love Spawn 314?

The Great

The Art: I think I mentioned in the last article that the art isn’t on Capullo level. Then again, recent Capullo art isn’t exactly at his level. I don’t even like this art as much as I liked Ken Lashley’s short recent tenure. However, the covers are amazing as always. The interior art looks great, too, and I focused on that as I ignored the text for the most part.

The Good

The Story: Up to this issue, the story got better and better with each issue. I went from not caring about She Spawn, Cy-Gor, or Overtkill to actively enjoying their contributions to the story. The story, as I just said, also improved over that same time period. Then, wit this one issue, it fell so far. Hopefully, in the end, it doesn’t even matter. Yes, I understand it’s a poor interpretation of the lyrics. And, I apologize, Linkin Park fans.

The Decent

Omega Spawn: In the last section, I said that I couldn’t have cared less about the supporting characters at the beginning of this most recent arc. I recently just said the same about Omega Spawn and the Hulk Spawn or whatever it’s called. The fight meant nothing to me. The subsequent explanation felt empty. Who knows? Maybe Uncle Todd is smarter than I am again and he has a way to make me care about this story, too.

The Verdict

Spawn 314 bored me. I hope this represents simply a filler issue and that the next issues serve the same purpose as more recent issues. They need to flesh out the Omega Spawn and give me a reason to care about his existence. I mean, I’m not one to tell someone how to do their jobs. However, if Uncle Todd wants me to sing his praises next month, he needs to round this story out better.

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Love Letter to Spawn 313

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Introduction

The longest running independent comic just keeps on going. Spawn 313 and counting. I’m going to sound like a bit of a broken record here. It’s been up and down for our man Spawn. However, I will spare you the gritty details. If you want to know where the ups and downs are, you can go back about 30 or so issues to get my take on Al Simmons’ recent history.

Don’t say I didn’t warn you. It’s a bumpy ride.

More recently, I ended the previous Spawn issue review article by saying that I’m enjoying the book again and I couldn’t wait for this issue. As I do every month, I read Spawn 313 first. While usually just a practical decision because it’s the only independent book that I still read, so it makes for an easy start to comics week each month, this month I actually read this month with some degree of anticipation.

Sorry for that run on sentence. It happens around here sometimes. I honestly just wasn’t sure where I was going with the thought after I started it. Let’s see if I can’t salvage something from the nonsense. To be fair, I do have some practice.

The Great

The Story: I admit that when this story began I was considering taking a break from Spawn. The up and down that I discussed in the introduction was more up than down. Put simply, I wasn’t enjoying the book very much. Uncle Todd has redeemed himself slightly with the last couple of issues.

I think the main reason for the improvement in the story is that the supporting characters have been much stronger recently. I mean, they’ve been mentioning Cy-Gor and Overtkill for the last 2 or 3 years with little to no payoff. The payoff for these guys hasn’t been huge, but it has been something. He even got me to enjoy Gunslinger Spawn and I never though that would happen. Keep the momentum going.

The Good

The Art: I don’t talk much about art in these articles. Mostly if it’s an artist I enjoy or if the art is great (or more often, terrible), I will say a work or two about it. However, the art is one of the things that brought me to Spawn all those years ago. In a time of Rob Liefeld, Spawn brought us the beauty of Todd McFarlane’s pencils.

The art in this issue isn’t McFarlane or Capullo level. Heck, I wouldn’t even put it in the same category as Ken Lashley from a few issues ago. But, it is serviceable. It doesn’t detract from the story like Jason Shawn Alexander’s art did for a few issues. Sorry, JSA. I know you’ve become a punching bag for the page. I never meant for that to happen.

The Decent

Slow Moving: I think part of my frustration with Spawn is the slow pace of the stories. I mentioned earlier that Cy-Gor and Overtkill have been in the pages of the book for 2 (maybe even 3 years) as ancillary characters that were meant to induce nostalgia in preparation for the soft reboot of 300? I guess.

Like I said, there was some payoff for those guys finally in this issue. One of them got their face bashes in by a massive Hellspawn on a beach. Don’t get me wrong. I do like the story. I just wish Uncle Todd would pick up the pace a bit.

The Verdict

Spawn 313 does continue the forward momentum mentioned in the previous article. The story is still slow moving, which can be frustrating. However, Uncle Todd is giving other characters a chance to shine, which is nice. Also, the art has more often than not been excellent for the past year. I will sign off with the eternal hopes that all continues next month.

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Love Letter to Spawn 312

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Introduction

I mentioned in my previous Spawn review that I hoped there might be a payoff to the long setup. I can’t promise that it is here in Spawn 312. However, it does feel much closer after this issue. I mean, things actually happened. Silly that’s the barometer but that’s where we are right now.

The eternal question of this year. Did Covid make things crappy. Or, have things always been crappy and Covid just made us realize it?

I hate to mention Covid again. But, it definitely had an impact on things in one way or another. As I covered in a couple of my comics articles last month, it seems like Covid threw the comics world into more chaos than anticipated.

Books are being delayed and cancelled at an alarming rate. Creative teams looked haphazard for the better part of the last six months. I suppose we should consider ourselves lucky that we’ve had somewhat consistent comics releases in that time. Things could be worse. After all, Hallmark’s 25 Days of Christmas started three months early this year. So, let’s focus on the positive as we often try to do.

The Great

Supporting Cast: Part of my problem with the last issue is that he overpromised and underdelivered. The book promised a huge supporting cast only to have them show up in the last page of the issue and contribute almost nothing to the plot. Well, the main plot revolved around Gunslinger Spawn. She-Spawn had a small, but integral part.

Heck, even Cy-Gor (forgot the robot gorilla’s name in the last review) and Overtkill saw their parts in the story increase in both time and significance. See, I wasn’t being completely cheeky when I said that things happened in this issue. Things actually happened.

The Good

Gunslinger Spawn: I already mentioned him in the previous section. However, he deserves a section unto himself after this issue. I never was a fan of many of the “specialty” spawn. Heck, I was even lukewarm to the change from Al to Jim Downing. This is just one of those books where I want my hero to be solitary.

Okay, that sounds weird after I just said that the supporting cast was great. Allow me to explain. I can handle the occasional team up, like Spider-Man. Most of the time, though, I just want Simmons and his story. I won’t say I like Gunslinger Spawn now, but Spawn 312 went a long way to endearing me more to his character. Uncle Todd kept the momentum moving forward as I hoped.

The Decent

The Story: With all of that being said, it’s not all ectoplasm and symbiotes. Okay, I apologize for that one. I literally spent the last 15 minutes trying to come up with that and that’s the best take. I know. Just bloody awful. Hey, I apologized.

The point of that all is that the story is getting better. However, it still feels like it it moving at a snail’s pace. I get that Uncle Todd has become more deliberate in his old age, but does he really have to emulate Bendis so much? I suppose I should just consider myself lucky that, unlike the current Bendis Superman stories, this one is actually decent.

The Verdict

Spawn 312 represents a continued step in the right direction. After the greatness of the Dark Horror story and then the soft reboot that seemed to be moving things forward, Spawn got a bit stagnant for a few issues there. It might have partially been that the momentum was slowed by the Covid hiatus. Maybe it is just that the book naturally ends up having ups and downs. I mean, most stories are like that, especially one that has been run by the same guy for the last 25 years or so. Whatever the reason, I’m enjoying the book again and I can’t wait for the next issue.

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Love Letter to Spawn 310 and 311

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Introduction

TLDR: I enjoyed Spawn 310 and 311 slightly more than the previous two issues. That’s not to say that I didn’t enjoy the previous two issues. As with anything Spawn related, the issued had good and bad qualities. I very much liked the art, but the story felt too long. There may be a pay off later, but even that felt lacking.

Sad trombone sounds…

Okay, that picture and caption are slightly damning in the face of the final sentence of the previous paragraph. But, I swear. I enjoy Spawn. It’s the one comic that I have made a pact to somehow collect the entire run. I’m probably (at most) 50 issues short. It’s because I love the book so much that it might seem like I’m hard on Spawn 310 and 311. It’s a tough love.

The Great

The Art in 311: I’ve made it known on several occasions that I like the super realistic art in Spawn. With some other titles, I can abide a different art style, but I grew up with Uncle Todd’s and then Greg Capullo’s art on this book. That’s what I want to see from Spawn on a regular basis.

Ken Lashley’s work was amazing in the most recent issues. I think I mentioned last time that I texted Chris to cal it Capullo-esque. I was more than a little upset, therefore, to see a new artist on issue 310. The art wasn’t as sharp. But, that changed with 311. I guess this is just the new reality of post Covid comics this year. Issue to issue changes of writers and artists.

The Good

Overpromising and Underdelivering: Again, this might seem like a negative against the book. Perhaps on its surface, so allow me to explain. At the end of issue 310, he promised Overtkill, Gunslinger Spawn, and one other that I’m blanking. Also, I am too lazy to walk downstairs right now to look it up.

All three of those characters made an appearance in the issue as promised. However, they came on in the last few pages of the issue. So, that’s disappointing. The good is that hopefully that sets up for a great issue 312 and maybe even 313. Here’s to hoping.

The Decent (This is Actually More The Ugly)

Anti-vaxxer Messaging?: It surprised me that the first part of issue 310 contained some anti-vaxxer messaging. I can’t say that’s how it was intended. However, the “villain” of the first few pages was a doctor working on a vaccine for a worldwide pandemic that turns out to be poisonous and making people sick.

I’m not sure how Uncle Todd thinks about vaccines. Initially, I was surprised that it was even included in the issue. But, then I remembered that I was confusing Uncle Todd for Ed Boon and his Twitter crusade to spread the word about masking during the pandemic.

During a time of misinformation and attacks on science and medicine, it felt very irresponsible to include this storyline in the comic. I know that it’s fiction and only a comic, but we’ve seen that pop culture and entertainment can heavily influence opinions. Okay, I’m off my soapbox.

The Verdict

Spawn 310 and 311 are overall good. As mentioned in my previous review, they aren’t as good as the Dark Horror story or even the beginning of the soft reboot started in issue 300. With the inclusion of some older villains, that promises to change for at least the next issue. Hopefully Uncle Todd is able to keep the momentum going forward.

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Love Letter to Spawn 308 and 309

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Introduction

Spawn 308 and 309 arrived simultaneously a couple of months ago. Therefore, after a Zendikar review that took far too long and a detour into the NFL for a couple of days, we are back to our bread and butter on the page. That’s right. It’s time for some nerd content. More specifically, I’m going to catch up on the comics I’ve missed the last couple of months and write some reviews.

Trying to catch up be like…

I’ve already read Spawn 308 and 309. I know, no large feat. However, it feels like I actually accomplished something simply by reading those two books. Now, I can try to plow through the other two dozen or so that I have from the last two months. That might seem like a massive undertaking since it took me a couple of months just to read the two Spawn issues. However, Tuesday is my lighter day teaching and I will have time (theoretically) to devote to reading. But, first, to finish this review of Spawn 308 and 309.

The Great

Ken Lashley’s Art: I have had a love/hate relationship with the art in Spawn since I’ve come back to comics. Sure, there have been some other books that I haven’t enjoyed the art, but this one has had some of the most varied art over the last couple of years. But, I texted Chris and said, “I like Ken Lashley’s art. It has a bit of Capullo vibe.”

The Good

Uncle Todd’s Writing: I was excited to have Uncle Todd back and writing for the old Hellspawn. I learned, again, that you should be careful what you wish for. Uncle Todd is good in small batches. However, when asked to carry a story for much longer than a few issues, he loses the thread a bit and things start to unravel. I’m not saying that’s happening here just yet, but the potential exists.

The Decent

The Story: Speaking of writing, I just can’t get into this story. I liked the “reboot” of issues 300 and 301. Ever since, this story of time traveling, cross overs, and Heaven’s War on Earth is just leaving me cold. These latest issues were slightly better. I’d rather they go back to the creeping terror of the “Dark Horror” story.

The Verdict (Spawn 308 and 309 are fine)

I titled this article, “Love letter to Spawn 308 and 309”. I wouldn’t say this reads so much as a love letter. Then again, they say that if you love someone, set them free. If they come back, then they’re yours. Otherwise, it was never meant to be. I don’t think that I need to set Spawn free again just yet, but I’m certainly not looking forward to new issues like I was before the pandemic.

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How Has Spawn Endured?

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TLDR

Video coming soon.

Introduction

Others have come and gone. Marvel and DC have rebooted and rebirthed numerous times. Heck, there have been 3 different Spider-Mans (but truly only one real one) and Batmans in movies alone. Yet, through it all, Spawn has endured.

Sure, he’s been killed once or twice (I think, I’m still catching up on issues between 150 and 250) and has had a different identity. But, 300 is 300, so you don’t need a silly Legacy calculator to figure out which issue number you’re reading.

Spawn is still Spawn. And, he’s still here. The question I had is why? Or, maybe how?

My Top 5 Reasons Spawn Is Still Here

Honorable Mention (Crossover Appeal): Spawn doesn’t have the name recognition of other comic book characters. Heck, he might not even be as well known as other “independent” characters. Still, he has starred in a couple of animated series, a movie (and another on the way), and most recently in MK 11. Trying to grab fans from other media will always be a good idea to keep your name in the funny papers.

5. Consistency: When I come back to Spawn, I know there are things that I can count on always being there. Like I said numerous times during Mortal Kombat week, you just know what you’re going to get with Spawn. You’re going to get powerful (and powerfully endowed) women, demonic enemies, ultraviolence, and an often sardonic attitude from Spawn about all of it.

And, of course, we can’t forget this Uncle Todd specialty.

4. Adaptability: Even though you are consistent, you can’t be stagnant. You have to change with the times. Spawn has been able to do that, as well. It can be a horror comic as evidenced by the “Dark Horror” story line. It can be a political one (though not as subtle as some other books) when it wants to be. And, it can just be a fight between Heaven and Hell.

What do you mean this isn’t a documentary?

3. Nostalgia: I’m not usually much of a nostalgia guy, but I have to admit that this definitely plays a role in my continued support of Spawn. If this wasn’t one of the first comic books that I was able to get “Issue #1” legitimately as a starter issue, I’d probably not keep coming back.

I’ve bought the first 50 issues three times at this point to replace missing ones.

2. Talent: The roster for Spawn through the years reads like a “Who’s Who” of comic book talent. Snyder, Capullo, Tan, Daniel, Hine, Larsen, Portacio, Medina, Miki, Kudranski. Just the first two alone would be enough to make this book a force.

Without Spawn, do we even have the epic Snyder/Capullo Batman books? An argument can be made.
  1. Uncle Todd: Honestly, this is probably the only reason I needed on the list. However, I probably couldn’t have gotten a 10 minute video out of just repeating the name Todd McFarlane. So, I beefed up the list with the other reasons that are ultimately just Uncle Todd being a true force in the industry. He, along with others, believed in their talents so much they told the big 2 to go eff themselves. He is the only one who has stayed around to prove the idea correct.

The Verdict (How Has Spawn Endured?)

Those are my reasons for why Spawn endured. As with anything these days, I’m sure that others have their own reasons and would be willing to share them, either here or on YouTube. Do you agree? Disagree? Have a declaration of mutiny and wish to run 2 Generations Gaming yourself? Be sure to leave a like and a comment. I’m always up for some friendly debate.

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Spawn 306 Review

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Introduction

Spawn 306. Seems like only 6 months ago we were celebrating the “record breaking” Spawn 300. As usually happens with Spawn and Uncle Todd, that celebration was marked by controversy. Some pointed out that since Cerberus ran 300 issues, Spawn would have to get to 301 in order to hold the record alone.

As a result, Uncle Todd has put a banner on the top of the latest book that says “World Record Breaking Comic!” I mean, troll and get trolled, fellas. It works both ways. I wouldn’t say that he’s a master of trolling. But, this one is pretty good.

The exclamation point at the end is the coup de grace, for sure.

So, here I am. Reading Spawn comics. Listening to Korn. Playing Mortal Kombat. It’s like I’m a teenager all over again. Sure, Korn came after my teenage years, but I also have Megadeth, Metallica, Danzing, Suicidal Tendencies, and others from that time on my workout playlist. So, yeah, I’m basically a teenager again. Now, let’s get to that Spawn 306 review.

The Great

Uncle Todd – I already eschewed the virtues of Uncle Todd as a troll. Now, it’s time to do the same for him as a creative force. I have said numerous times in the past that I’m honestly surprised that the comic has been able to still be this fresh over 30 years later. That’s a testament to both him as a writer and being able to realize when things need to be switched up to keep it fresh.

Exhibit A: Bringing back Philip Tan

Philip Tan: Philip Tan was involved during one of my favorite periods during Spawn. In fact, when I saw that Uncle Todd was bringing back fan favorites for the 300th issue, I was surprised not to see Mr. Tan’s name on the list. I even texted Chris that. But, now he’s here and I’m a happy Spawn fan.

The Good

New Story: I’m not entirely sure that this is a brand new story. Something tells me that we’ve visited this future at some point in Spawn’s past. However, it is new to me and it is refreshing. It was no secret that I didn’t enjoy the “politics” storyline from a couple of arcs ago. I did mostly like the Hell Hunt story and will go back to finish that one soon. This one, though, is looking like one I can definitely enjoy.

I don’t care for Raptor or whatever the dudes name is, but I like Claudiaz and she’s made the switch in tone more bearable.

New Character: With this new story line has come new characters. I don’t care for the main protagonist. He just seems like another recycled tortured soul type. However, his sidekick/lover/whatever she is, Claudiaz is interesting. Even though it looks like she was mortally wounded towards the end of the book (spoiler alert), I hope she makes it because I think their relationship is worth exploring more.

The Decent

Answers Next Issue: I might not care much about spoilers, but I absolutely abhor cliffhangers. Unfortunately, nearly all entertainment has become rife with them. The end of every single episode of series television and nearly every single comic (unless it’s the end of an arc) has a cliffhanger to keep you “guessing” until the next issue/episode. It’s overkill in my opinion.

Missing Something?: This is typical since I’ve not read comics in a few months, but I feel like I’m missing something here. I will have to go back and read to see if there was any indication that this particular “timeline” was going to happen.

The Forgettable

This little bastard can go straight to hell.

Eff This Virus – I know that comic books are at the bottom of a very long list of priorities. However, that’s what this article is about, so it’s what I’m focusing on right now. I’m going to miss comics for the next couple of months. Chris said something about them being ahead of schedule because of shipping times, but I wonder if DCBS will continue to ship. I do have an idea to keep the review articles going in case they don’t. Still, I really like comic books and they’d help to keep me sane and occupied during this.

The Verdict (Spawn 306 is different. Is that a good thing?)

Well, things have certainly gone in a new direction with Spawn 306. To answer the question in the title, I’m not sure yet if it’s a good thing or not. I know that’s a cop out. But, that’s honestly how I feel. I didn’t really get into this issue as I had been for ones previous. I don’t know who these characters are. Worse, I don’t care about them. Sure, I’d like to see where the whole things goes, but if Claudiaz ends up dying, so be it. I will keep reading just to see if it all pays off, though. Join me. Seems like a good time to jump back into Spawn!

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Spawn 301 Review – Road to 400

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Introduction

After the insanity of 300, is Spawn 301 any good? We made it to 300 and survived. Barely, but here we are on the other side. Is it too early to start the countdown to 400? Well, if it’s wrong, I don’t want to be right. Chris and I have texted a few times over the past few months about how fresh the book still feels after over 20 years under more or less strictly Uncle Todd’s control.

I’m not sure that last sentence is grammatically correct. Or, even proper English. But, it does get to my next point quite nicely. Spawn 300 promises a new beginning for the character. I haven’t read all of the intervening books, but I imagine that after so much time and so many issues, there have been other “new beginnings” for our Hellspawn. I’m pretty sure that Al wasn’t Spawn for a while in the 100s or 200s, but I’m not positive.

What makes this one different is (a) I’m here to witness it and (b) I’m all in for it. I loved the story that they started in 300. 301 picks up where that one leaves off and sets the stage for the future quite nicely. Let’s start that countdown and talk some about Spawn 301.

The Decent (Who is this ninja and JSA’s art is improving)

Who the heck is this ninja? The final pages in both 300 and 301 have told the story of a Ninja or Shinobi (does that just mean ninja?) or Samurai or something. I’m not sure of the official title of the character, but it has been an intriguing little vignette. Can’t wait to see how it fits into the greater story.

Jason Shawn Alexander I’ve been critical of his art for much of his run. I did enjoy the aesthetic for the Dark Horror storyline as it added to the overall creep factor. However, as Chris said, getting to have Greg Capullo back on the title for a limited run has shown just how starkly JSA differs from that. It’s just not the art that I grew up with. With that being said, it’s still not the same, but it has been getting better in these issues. I hope that continues.

The Good (Spawn has an army and that cover is sweet)

That Cover Tho The actual cover of the issue is pretty nice. What makes it more so is in the background is a shadow of the first issue’s cover. I thought that was a nice touch since they seem to be bringing back what makes Spawn great.

The Spawn Army This new Spawn looks an awful like the old Spawn. He’s raiding military installations for the weapons. He’s converting old villains into allies. It’s good that somethings might change, but what’s old is always going to end up being new again eventually.

The Great (Capullo! and the new story!)

Greg Capullo Chris texted me that he was ruined for any other artist on Spawn after seeing Greg Capullo’s art in Spawn 300. While I’m just as much a fan as anyone, I’m going to take the optimists approach on the art as you read earlier. It’s not the exact same, but as long as the story is strong, I will tolerate the art. Still good to see Greg Capullo back on the book I discovered him.

Here for this story I’ve already talked a little bit about how the story is being rebooted (or reimagined (or reinvented( or whatever))) starting with issue 300. Also, as I just insinuated in the last section, it looks an awful lot like the old Spawn. One thing that I wrote here is that it is reminiscent of Buffy, too. I forgot what I meant, but it is just that Spawn sacrificed himself and it looks like he unleashed his power into others similar to how Buffy woke up all the slayers. This is going to be fun.

The Verdict

Just like the other things from my youth that have come back in slightly newer variations, Spawn 300 and Spawn 301 are a welcome and comforting presence in a sometimes scary world. I can’t wait to see how things progress going forward and we only have 99 more issues until #400! See you in 10 years!

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Spawn 300 End of the Road

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Introduction

The Road to Spawn 300 was littered with pot holes and detours. However, we are finally here. And, I have to say, it was worth the wait. Both Chris and I were obviously excited when we heard that Greg Capullo was going to be back for this issue. We both grew up with him as the main artist.

We were both subsequently disappointed because we had somehow convinced ourselves that he was going to be the artist for longer than just the one issue. When we learned that wasn’t going to be the case, I think I suggested that Uncle Todd should sell his McGwire baseball to hire Capullo back as artist.

At least we get him for the next issue, too. Also, he is doing variant covers for the next two. Maybe there is now an open invitation to to covers whenever he wants. As I said to Chris, hope abounds. Now, for my review of Spawn 300. It isn’t exactly like the DC 1000 issues from last year. He invited some other big names to join him. However, the issue followed continuity instead of shorter vignettes. Even so, I will review each story individually like I did with those books.

Chapter 1 (Todd McFarlane and Greg Capullo)

The Spawn meter is back. What’s up with that? Oh well, like Chris said, Capullo’s art is going to ruin me for the return to the regular artist. Aside from McFarlane, Capullo’s art is the iconic style for Spawn. The story is just more creepy little girl kills her family nonsense, But, Violator shows up and there’s some gratuitous ultra violence at the end to remind us what Spawn’s all about.

Chapter 2 (Scott Snyder and Todd McFarlane)

I enjoyed the story from this chapter much more than the first one. It called back to a previous battle between the two antagonists and what happened when they “disappeared” from sight and into the shadows. This was probably my favorite story from the whole issue. Scott Snyder definitely shows that he’s a more seasoned writer than Uncle Todd in this one.

Chapter 3 (Todd McFarlane and Jason Shawn Alexander)

Another story that attempts to fill some of the gaps. This one is about the former Spawn enemies that he reanimated to fight on his side. As Chris texted, and I agree, the art style of Jason Shawn Alexander just doesn’t fit Spawn as much as we’d like. But, the story was decent and, unlike Chris, I’m going to keep collecting until the book isn’t produced anymore. In spite of being almost 30 years old under essentially the same creative control that whole time, it is still surprisingly fresh. I want to see where Uncle Todd takes us next.

Chapter 4 (Todd McFarlane and J. Scott Campbell)

The art of this chapter is great. J. Scott Campbell really nails the Spawn style. However, the story is lackluster. I just don’t give a crap about She-Spawn or her story. Alas, it looks like she is here to stay, at least for the next couple of issues, so I’ll have to get over that.

Chapter 5 (Todd McFarlane and Jerome Opena)

A teaser that does exactly that. No idea what it is or means, but I’m intrigued to learn more.

The Verdict

I like what Uncle Todd did with Spawn 300. It is a “historic” issue in that it tied the longest running creator owned comic book. It is also a nice round number that comic book nerds love. Instead of choosing to tell small vignettes as Detective and Action did with their historic 1000 issues, he continued continuity while also setting up future stories.

Overall, the strength of the writing is what we’ve come to expect from Spawn all these years. It is disheartening to be going back to Jason Shawn Alexander’s art after seeing the other interpretations of the Spawn style. Again, I like JSA’s art and I actually really enjoyed it for the Dark Horror storyline. However, it just doesn’t look like the Spawn that I remember from my reckless youth. Oh well, put it in the “get over it” bucket with She-Spawn and enjoy the ride. Here’s to another 300!