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Extended Spawniverse September 2024

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Introduction

I wrote last week that I decided to break up my comic reviews over the month instead of trying to get them all done in one week. I reviewed DC and TMNT #1 the first week. Then, last week, I talked about the “main” titles in the Spawniverse. This week, in addition to Marvel comics, I want to talk about what I’m calling the Extended Spawniverse September 2024.

From the looks of it, Uncle Todd hired so much talent that he needed to come up with new titles to put them all on. Especially since he took over the reigns again on the main titles, they all picked up (or pitched because I’m not sure how the titles came into being) books that bear the “New *Spawn head* U” sticker on them. I, for one, welcome anything done by everyone that Uncle Todd brings on to work on his books.

Monolith 1 (of 3)

Writer: Sean Lewis, Artist: Velerio Giangiordano.

Quick Synopsis: The year is 3030. The universe is dying. Spawns answer the call to save it and fail. This pits the rest of the universe against the Spawns. Monolith gets diverted while coming back to Earth and ends up in a prison colony. Omega Spawn, fittingly known as the destroyer of worlds, rules the prison. He bides his time waiting for Monolith. When the “final Spawn” shows, Omega tries to recruit him to his cause. Gaia interferes in the showdown, telling Monolith that he can be more. Even though I said that all of the talent here worked on other Uncle Todd projects, I don’t recognize the name of this artist. But, the art fits the character and the story. I look forward to more from this artist. My verdict: Good.

Rat City

Writer: Erica Schultz, Artist: Ze Carlos.

Quick Synopsis: I only read the first issues of these books for this review. Before next month, I plan to get caught up. That way, I can follow them as they grow. While Monolith (and another one called Misery that I just learned about) are limited series, the other two look like they have issues planned through the end of the year at least. Okay, now for the synopsis. It’s 80 years in the future during World War 3 and an elite fighting force introduces us to a few characters, including the main character. Through the story, he loses his legs and they are replaced with cybernetic ones. At the end of the issue, he can’t remove them and this has something to do with good old Al Simmons. Ze Ramos brings a cool futuristic touch to this one that Monolith missed in spite of taking place in 3030. But, that makes sense since that one takes place near the end of the universe. My verdict: Decent.

Sam and Twitch Case Files

Writer: Uncle Todd with Jon Goff, Artist: Szymon Kudranski.

Quick Synopsis: They introduced Sam and Twitch as supporting characters during the early days of the main title. They became popular and released a book starring the two. Like many Image books at the time, it suffered from delays and saw an inglorious end after only 26 issues. When they announced the new U, you knew they had to include these guys in the mix. Sure enough, here they come. Sam roughs up a goon while on a case. This gets him suspended. Twitch sets out to “make it right” and finds himself on suspension, too. But, another detective calls them in to get a set of “fresh eyes” on a case that looks to be very messy. Kudranksi’s art works perfect for this title. He brings a realness and a creepiness that will serve the story well. My verdict: Good.

The Verdict

While not explicitly from this month, the books that I read for the Extended Spawniverse September 2024 all introduce the titles well. Of the three, I think that Sam and Twitch will end up being my favorite. However, Misery looks to follow the same creepy horror vibe of one of my favorite Spawn stories. So, even though that one is only 4 issues, I think I’ll enjoy the heck out of that one.

Cover shots taken from the mothership.

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Spawniverse September 2024

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Introduction

I learned recently that they added some new titles to Uncle Todd’s Spawn Universe (Rat City and they brought back Sam and Twitch). I intend to cover those books later in the week or, more likely, over the weekend. For this article, I want to cover the main books as I see them in Spawniverse September 2024.

You may notice that it is the third week of the month and I only posted the DC Comics review. The reason for that is two fold. One, I started back to school (as evidenced by the new theme) and that took up far too much of my time. Two, I actually think I like the idea better of dedicating one week to each of the three publishers. It gives me more time to digest the issues and offer a better reading experience. I hope. Let me know.

Gunslinger 34

Writer: Uncle Todd, Artist: Carlo Barberi.

Quick Synopsis: This issue deals with the initial aftermath of the shitstorm between Javi and the police that built from the previous few issues since the “reset”. Gunslinger, himself, badly injured in the fracas, falls into a medicated induced sleep. The doctors say that his mind surely fractured due to the physical and mental stress. This manifests in a dream that relives part of his past. I feel like in different hands, this might have been handled with more subtlety. But, honestly, we don’t come to Spawn for that, so I’m okay with the outcome. Barberi’s art, as usual, compliments the story and brings the characters to life in a way that few others can. My verdict: Good

King Spawn 37

Writer: Uncle Todd, Artist: Yildiray Cinar

Quick Synopsis: Speaking of a lack of subtlety, King Spawn brings together Al Simmons and Cy-Gor for all out war against Tyrone and his thugs. The two make quick and bloody work of all of them, barely breaking a sweat before making a get away with a hostage that they intend to use as a bargaining chip to get closer to his real target. I’m not familiar with this particular artist, but I like his work in this book. My verdict: Great.

Spawn 355

Writer: Rory McConville with Uncle Todd on additional script. Artist: Brett Booth.

Quick Synopsis: Downing comes to Spawn and others under the guise of taking them back to hell. Instead, he takes them to one of Spawn’s safe houses where they find a badly injured Reaper. After dealing with that, Downing explains that he pulled the old rope a dope because Nyx isn’t responding to communications and he thought that Spawn and the others might know why. The issue closes with Al making a deal with Lyra for a tentative partnership and Wynn checking in with Fixer and giving him a couple of partners in crime. Booth, like Barberi, brings the world of Spawn to life with his art. We truly are spoiled by living in a time when so much talent works on these books. My verdict: Great.

The Scorched 32

Writer: Layman with Uncle Todd on additional script, Artist: Steven Segovia.

Quick Synopsis: The Scorched team up to combat their former teammate, She Spawn. And they bring Overt-Kill with them. Even with that extra fire power, though, Haunt ends up going of the deep end and injuring her quite severely. The issue ends with them speaking over her in a hospital bed. Wynn makes the comment that they have nothing to worry about when it comes to control over her. Wait, what’s that I see? A wry smile from Jessica? Can’t wait to see what they have in store for us. Segovia’s art brings a more cartoonish quality to the series. I like it in spite of that fact, but wish it had more of the realism of Booth or Barberi. My verdict: Great.

The Verdict (Spawniverse September 2024)

The main titles in the Spawniverse September 2024 continue the strong upward trend of the recent issues ever since they rebooted and shook up the creative teams. All four of the books are telling great stories in their own right. They also try to tell a cohesive story together, but as with many of these types of cross book stories, some things get lost in the shuffle. As long as you can deal with those inconsistencies, you’ll have fun reading these books.

Images taken from the mothership.

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Spawn 300 End of the Road (Redux)

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Introduction

The Road to Spawn 300 was littered with pot holes and detours. However, we are finally here. And, I have to say, it was worth the wait. Both Chris and I were obviously excited when we heard that Greg Capullo was going to be back for this issue. We both grew up with him as the main artist.

We were both subsequently disappointed because we had somehow convinced ourselves that he was going to be the artist for longer than just the one issue. When we learned that wasn’t going to be the case, I think I suggested that Uncle Todd should sell his McGwire baseball to hire Capullo back as artist.

At least we get him for the next issue, too. Also, he is doing variant covers for the next two. Maybe there is now an open invitation to to covers whenever he wants. As I said to Chris, hope abounds. Now, for my review of Spawn 300. It isn’t exactly like the DC 1000 issues from last year. He invited some other big names to join him. However, the issue followed continuity instead of shorter vignettes. Even so, I will review each story individually like I did with those books.

Chapter 1 (Todd McFarlane and Greg Capullo)

The Spawn meter is back. What’s up with that? Oh well, like Chris said, Capullo’s art is going to ruin me for the return to the regular artist. Aside from McFarlane, Capullo’s art is the iconic style for Spawn. The story is just more creepy little girl kills her family nonsense, But, Violator shows up and there’s some gratuitous ultra violence at the end to remind us what Spawn’s all about.

Chapter 2 (Scott Snyder and Todd McFarlane)

I enjoyed the story from this chapter much more than the first one. It called back to a previous battle between the two antagonists and what happened when they “disappeared” from sight and into the shadows. This was probably my favorite story from the whole issue. Scott Snyder definitely shows that he’s a more seasoned writer than Uncle Todd in this one.

Chapter 3 (Todd McFarlane and Jason Shawn Alexander)

Another story that attempts to fill some of the gaps. This one is about the former Spawn enemies that he reanimated to fight on his side. As Chris texted, and I agree, the art style of Jason Shawn Alexander just doesn’t fit Spawn as much as we’d like. But, the story was decent and, unlike Chris, I’m going to keep collecting until the book isn’t produced anymore. In spite of being almost 30 years old under essentially the same creative control that whole time, it is still surprisingly fresh. I want to see where Uncle Todd takes us next.

Chapter 4 (Todd McFarlane and J. Scott Campbell)

The art of this chapter is great. J. Scott Campbell really nails the Spawn style. However, the story is lackluster. I just don’t give a crap about She-Spawn or her story. Alas, it looks like she is here to stay, at least for the next couple of issues, so I’ll have to get over that.

Chapter 5 (Todd McFarlane and Jerome Opena)

A teaser that does exactly that. No idea what it is or means, but I’m intrigued to learn more.

The Verdict

I like what Uncle Todd did with Spawn 300. It is a “historic” issue in that it tied the longest running creator owned comic book. It is also a nice round number that comic book nerds love. Instead of choosing to tell small vignettes as Detective and Action did with their historic 1000 issues, he continued continuity while also setting up future stories.

Overall, the strength of the writing is what we’ve come to expect from Spawn all these years. It is disheartening to be going back to Jason Shawn Alexander’s art after seeing the other interpretations of the Spawn style. Again, I like JSA’s art and I actually really enjoyed it for the Dark Horror storyline. However, it just doesn’t look like the Spawn that I remember from my reckless youth. Oh well, put it in the “get over it” bucket with She-Spawn and enjoy the ride. Here’s to another 300!

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Spawniverse July 2024

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Introduction

After a successful Fallout from the end of School last month, we come to another celebration on the page. Deadpool and Wolverine releases at the end of the month. That gave me the bright idea to feature Deadpool and Marvel comics. Before we get to all of that, though, naturally, I need to write my comics reviews first. With the TMNT hiatus, that means this month is Spawniverse July 2024.

Gunslinger 32

Writer: Uncle Todd, Artist: Carlo Barberi. A few months ago, Uncle Todd promised new creative teams and new directions for the books. I won’t take direct credit for that, but I will say that I wrote numerous times that the books seemed to have lost their way. He alludes to this during one of the conversations in this issue. I won’t say that the book is all the way back. But, the intro scene with he and Linda made me laugh and I expect more out of the finale because that was far too easy. My verdict: Good

King Spawn 34 and 35

Writer: Uncle Todd, Artist: Jason Shawn Alexander. When he said new creative teams, apparently that meant taking over writing duties instead of “additional plot”. At the very least, that brings some consistency to the stories. In this one, Al rescues Nana or Grannie or Auntie or whatever and finds her a vampire (the only supernaturals with powers right now) as a guard. However, this king doesn’t stay ascendent for long. Then, he runs into some trouble in the alley. A gang jumps him. Without his powers, they fuck him up pretty good. I want to see where this is going. Additionally, I know JSA’s art isn’t for everyone. It took a while to grow on me, but I like it. Especially for this title. Lends it an ethereal vibe that’s almost dreamline. My verdict: Good

The Scorched 30

Writer: Layman with Uncle Todd on Additional Script, Artist: Stephen Segovia. I thought this one maintained the most consistency quality wise during the “lull”. I liked the characters and the stories the best out of all of the Spawniverse. Then, when Layman (one of my favorite comics writers) came on, I knew good things were on the horizon. Sure enough, it started to pay off here. The Scorched, even without Jessica (who spends more time dead or unconscious that most team leaders) cripple Winn’s agency by freeing Overt-Kill and allowing for the escape of Haunt and Redeemer. That all sets up quite a payoff next issue with Winn visiting Jessica and the team trying to get to the bottom of the cloning mystery. My verdict: Good, bordering on Great.

Spawn 354

Writer: Rory McConville with Uncle Todd on Additonal Script, Artist: Brett Booth. I think the main title suffered the most during the “lull”. Just an inconsistency in tone and story telling. You can blame that on the dilusion due to the new titles, but I disagree. I think they just focused too much on the heaven and hell angle and ignored the other parts of what makes the book fun. And, if you think about it, they removed al l of the powers from the characters, so that forces them to focus more on the “real world” and the boots on the ground, so to speak. Call me in a few months when I miss the supernatural part of the story. For now, though, I like what they’re doing. My verdict: Good.

The Verdict

They continue the upward trend with Spawniverse July 2024. Thankfully, because as I wrote, they changed teams on TMNT, so I won’t get another one of those for a month or so when it starts back up again. I like Jason Aaron and I trust him, but Chris makes a good point. They need to change the tone big time to fit his style.

Images courtesy of the mother ship.

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Spawniverse June 2024

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Introduction

Last month, we eschewed all other comics to celebrate the end of an era with TMNT #150. Well, the universe paid me back this month by sending only two comics from outside of the major publishers. Therefore, Spawniverse June 2024 may feel slightly underwhelming. From the looks of it, we’ll be back next month with more books. If I knew how to market better, I might say something like, “twice as many books!” which sounds impressive until you realize that two times two is four.

Gunslinger #31

Writer: Uncle Todd, Artist: Carlo Barberi. A few issues ago, Uncle Todd and company blew up the Spawniverse. Not literally, that took place in issue 300 and 301. But, they took away all of the powers of any demon, angel, and hellspawn. And, since then, at least in Gunslinger, he took the opportunity to reintroduce the character. Kind of strange only 30 issues in, but when you commit to only soft reboots, you find yourself in strange situations sometimes. Javi tells the story of his sister to a woman and then finds himself at the mercy of a medicine man who gives him a piece of his mind. As always, Barberi’s work is impeccable. I, for one, am glad that Uncle Todd spawned (pun totally intended) many artists with his style. The book doesn’t feel the same without that Uncle Todd touch. My verdict: Good.

Spawn #353

Writer: Rory McConnville (with Uncle Todd on additional script, Artist: Brett Booth. This title, similarly, spent some time in this issue reviewing the after effects of the war on hell. It also brings to light a new character and implies that character might have a deeper connection to the overall story. Perhaps I’m reading too much into it, but I feel like we’ve seen this person before in some capacity. Brett Booth, too, gives the Spawn look with his own subtle touches. Both of these books are in good hands right now. My verdict: Good.

The Verdict

It surprised me that only two books from Spawniverse June 2024 came in the shipment. But, you take the good with the bad when it comes to these titles. Decent to good stories and, usually, great artwork. But, with that comes delays. Like I say, next month looks to be back to normal.

Images taken from the mothership.

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April 2024 Independent Comics I Love

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Introduction

A few month ago, you might question the title of this series. And, honestly, you’d be right to do so. Before last month, the Spawniverse languished in mediocrity (at best) and I wondered how, or even if, Uncle Todd could pull it together. They just felt too crunched by all of the books. Honestly, it started to feel like the early days of Image with the missed deadlines and misprints. But, hopefully the upturn in quality from last month continues into April 2024 Independent comics.

Gunslinger Spawn 30

Plot/Script: Uncle Todd, Art: Carlo Barberi. in my opinion, Gunslinger suffered the most from the drop off in quality. Chris told me how much he liked the title, maybe even more than the main title. I listened to his advice and, honestly, it’s why I filled in the back issues of the other titles. Then, things started to slip and I started to lose faith. Last month brought back much of what made the title fun. Now, before I give away what I thought of this month’s issue, let me just say how much I love that cover. It brings back old school vibes in a good way. So does the story and art of this issue. A bit of a filler issue, but well done overall. My verdict: Great

King Spawn 32

Script/Plot: Uncle Todd, Art: Javi Fernandez. This book only registered with me because they revisited one of my favorite Spawn stories of the last decade, Dark Horror. So, it barely made that much of a difference to me when the quality started to decline. It always just felt like the main title’s little brother. But, I appreciate their commitment to making all of the titles better and I really enjoy the current story revolving around Al and reckoning with being mortal again. My verdict: Good.

Scorched 27

Script/Plot: John Layman with Uncle Todd on additional script, Art: Stephen Segovia. I questioned the change in tone from single hero titles to a team for this book. Eventually, it won me over and became my favorit book in the Spawniverse. Like the others, it lost some of that edge and, frankly, it bummed me out. But, with this new attempt at bringing the titles back to a higher standard, they hired John Layman to write this one. ‘Nuff said. My verdict: Good, but Layman’s still in the early phases. I expect this one to hit great sooner rather than later.

Spawn 351

Script/Plot: Rory McConville with Uncle Todd on additional script, Art: Brett Booth. I stayed with this title in spite of the fact that I wanted nothing to do with the Heaven/Hell war storyline. Then, at some point, that shifted and I started to like the story a lot. They delivered with the big finish last issue and now start to rebuild in that aftermath. I like where they’re headed and give them the benefit of the doubt. My verdict: Good.

Teenage Mutant Ninja Turtles 149

Story: Sophie Campbell with Kevin Eastman on consulting, Art: Vincenzo Federici. I make no secret that this is my favorite book since starting to collect it during The Armageddon Game. I feared a drop off (also no secret) after that story wrapped. Granted, there was a lull, but they needed to take a few episodes off before ramping back up to the big 1-5-0. Rarely does a writer click on a title like this. But, Kevin Eastman clearly cares about his heroes in a half shell so much to put them in the capable hands of Sophie Campbell. I can’t wait to see what they have in store next. My verdict: Great

The Verdict

April 2024 independent comics continues the upward trend set last month. Granted, they fell quite a bit, so an upswing was imminent. But, I’m glad to see that Uncle Todd continues the “new direction” of his titles and they’re not just a one off. Sometimes, you just need to shake things up. Unless you’re TMNT. Don’t change a damn thing.

Spawniverse on Image. TMNT with IDW.

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March 2024 Independent Comics I Love

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Introduction

I committed to Mario in March early last week. Then, as often happens in March, for some reason, I lost motivation to update the page. Well, in a lucky break, my comics arrived late last week. That gives me a week to review them and reset my brain to give Mario the respect he deserves. Last time, I never received a TMNT. However, March 2024 independent comics returns with my favorite heroes in a half shell.

Gunslinger 28 and 29

Script/Plot: Uncle Todd, Art: Dexter Soy and Carlo Barberi. It seems that my complaints made it back to the creative team in the Spawniverse. Actually, probably not. It looks like they decided to make Spawn 350 a big turning point in the various series. For what it’s worth, I’m glad they made that choice. At best, the last few months have been uneven. At worst, I saw more than one typo that never should have made it to the printer. Alas, if they continue this “new direction” as advertised, this title could rise again to be one of the best. My verdict: Good.

King Spawn 31

Script/Plot: Uncle Todd, Art: Jeremy Haun. Okay. Yes. This is more like it. I never liked King Spawn as much as the other Spawniverse titles. But, every now and then, they gave us a great issue. This one, again, promises a “new direction” and it feels more like the main title. But, the focus is on the human side of Spawn. And, the balance, at least in this issue, worked out perfectly. Also, I didn’t mention the art, but both titles very closely resemble the Uncle Todd vibe of the beginning of the book. My verdict: Good. Almost Great.

The Scorched 26

Story/Plot: John Layman with Uncle Todd on additional script, Art: Stephen Segovia. Wait a minute…John Layman. I know that name, don’t I? Yes, indeed I do. I don’t remember what introduced me to Layman, but he wrote one of my favorite comics of the last decade, Eleanor and the Egret. When I started in on the Spawniverse, too, this was my favorite of the titles. It fluctuated like the others, but I took that fluctuation harder because I enjoyed the book so much. It looks like they scheduled Layman for at least the next 3 or 4 books, too, so I have no doubts this one will rise back to the top. My verdict: Good. Bring it on, Layman.

Spawn 350

Story/Plot: Rory McConville with Uncle Todd as additional script, Art: Brett Booth and Carlo Barberi. 350 gets a big image. I mean, look at that cover. Well, we’re finally here. They’ve been building to this one for a while and I read about it in the pages of the other books. Overall, it doesn’t disappoint. They actually threw me for a loop at the one who ascended to Hell’s throne. Even with the flashback within a flashback, I still thought that one of the mains won. So, I say, “Bravo.” I wasn’t terribly keen on this story, but the end made it worth the trip. My verdict: Good.

Teenage Mutant Ninja Turtles 148

Story: Sophie Campbell with Kevin Eastman on consulting, Art: Vincenzo Federici. For some reason, I never received TMNT last month. I must say, “I missed them.” Ever since Armageddon Game, this title oscillates from Great to Really Great. I mean, I have no reference above great for these articles, but if I did, this one and She Hulk repeatedly deserve that accolades. The stories are well written and everything comes together so nicely over time. This one references 4 other issues of the book. Even so, I don’t feel lost at the self reference. It just works. My verdict: Great, as always.

The Verdict

Thank goodness for March 2024 independent comics. They bring some of the best of these books in a few months. I hope that the Spawniverse continues this trend for the future. At least from what I see, I think the new creative teams will work well and shake things up. I’ve stopped thinking that TMNT will fall off and just know that it continues to be one of the best written books out there.

Spawn images from the mothership. TMNT from their own.

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February 2024 Independent Comics I Love

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Introduction

After missing my order last month, February 2024 independent comics exist again only in the Spawn Extended Comic Universe (SECU – tm, me?). By the looks of it, TMNT 150 got pushed back by a month and I just put it on my list for next month. Therefore, prepare for my journey through the SECU for this month.

Scorched #24

Script/Plot: John Layman (with Uncle Todd on “Additional Script”, Artist: Stephen Segovia. A few issues ago, this one was my favorite of all the titles in the SECU. Yep, I’m gonna overuse that until it’s dead by the end of the article. Sorry, I miss TMNT. In regards to this issue, it serves its purpose as a bridge to show the new dynamics of the team and introduce a new character, The Viscerator. My verdict: Decent.

King Spawn #28/#30

Script/Plot: Uncle Todd, Art: Javi Fernandez. Not sure why they sent two nonsequential issues of King Spawn, but here we are. The first shows Al traveling through hell with the corpse of a demon that he killed. A few conflicts that are easily resolved and apparently the journey continues in the missing issue. Because, then, Al faces off with Wanda as his companion on the journey. I enjoyed this part of the story and Uncle Todd promises a big payoff in number 350. Also, I enjoy Javi Fernandez’s art. My verdict: Good.

Spawn #348

Story/Plot: Rory McConville with Todd McFarlane on additional script, Art: Carlo Barberi. All of these issues feel slightly underwhelming. It took until this issue and the connection to King Spawn that I understood. They’re setting us up for the big conclusion in a couple of issues. I suppose I made the initial connection in Scorched when I called it a bridge article. Well, the whole of it right now feels like a bridge. But, again, great art. My verdict: Good.

Verdict

So, the SECU (okay, I used it less than anticipated) brought mostly just a bridge (I used that more than anticipated, though, trying to avoid “filler”) between the previous story and a promised payoff in Spawn 350. February 2024 independent comics was missing something. Yes, that’s just another reason for me to write that TMNT never showed this month.

Images courtesy of the mothership.

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December 2023 Independent Comics I Love

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Introduction

The comics arrived in the mail as they always do. I wrote the plans in my book for this week. Independent on Monday. DC on Wednesday. Marvel on Friday. Then, this week came and went with no comic reviews posted to the page. Recognizing my oversight, I gave you a bonus article yesterday about the Marvel SNAP new season. Then, I reworked the plan to post all of the reviews this weekend starting with today and December 2023 Independent Comics.

In addition to the Spawniverse and TMNT that usually populate this article, DCBS sent me two copies of a new book entitled Unnatural Order. So, I tossed it into the pile and you get another bonus of an additional book reviewed in this article. With no further delay, let’s get into the books.

Unnatural Order #1

Writer: Christopher Yost, Artist: Val Rodrigues. From the back cover: After the fall of the Britons and the Roman invasion of Hibernia, the captive known only as the druid is released, sending a darkness across the world. An age of horrors, of fire and entrails, as the innocdnt burn in the wicker fields, those who would resist learn of the existence of a man who even the druid fears. for it is this prisoner, a soldier from a different time, who alone knows that druid’s secret. This is not how the world is supposed to be. They deliver on that and more in this first issue. I’ll give them that. Wild story that caught my attention. But, I’m not sure if I’ll read it or not. Might have to give it another shot to see if it’s my style of book. My verdict: Decent.

Gunslinger Spawn #26

Writer: Uncle Todd. Artist: Dexter Soy. The book got away from what makes it fun/interesting. Okay, that’s not entirely true. They just got sloppy. Rushed story and art. Repeated typos. The last two issues have been much cleaner. My verdict: Not as good a follow up to the great last issue, but still very good.

King Spawn #27

Writer: Uncle Todd. Artist: Javi Fernandez. Goes on a deep dive into Al’s past and explores how that past set him on his path to become Spawn. My verdict: It wants to be great. But, it feels either too cliche or hits too close to home for me. Almost great.

Scorched #23

Writer: John Layman. Artist: Stephen Segovia. Spawn faces off against Gaia for the soul of She-Spawn. He wins, but at what cost? Another one where I like the idea and execution, but minor flaws. My verdict: My favorite of the three and just a hair from being great.

Spawn #347

Writer: Rory McConville with additional plot from Uncle Todd. Artist: Carlo Barberi. Continues the story of the previous issues. Solid issue that advances the story and keeps things moving. Also starts to tie in the supporting issues. Solid book, but lags behind the supporting titles right now. My verdict: Good.

TMNT #147

Writer: Sophie Campbell. Artist: Vincenzo Federici. My favorite book not named She-Hulk right now. This issue is fun and funny and it fills some of the blanks at the end. Plus, a shout out to prehistoric Northampton, Massachusetts. My verdict: Great

The Verdict

Independent comics December 2023 brings some great stories. The Spawniverse is rounding into shape again. The Turtles are great as they always have been since I started reading the title during Armageddon Game. The jury remains out on Unnatural Order, but I have faith that it will be a good story if I keep reading it.

Spawn images taken from the mothership. TMNT book snapped from IDW. Unnatural Order courtesy of Vault.

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September 2023 Independent Comics I Love

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Introduction

I mentioned, in a YouTube video that I still haven’t edited and released, that I spent the better part of the last week sick. I said to two of my classes today that I finally feel like myself again after a week. So, I’m digging out from under work at school and here on the page. Therefore, the September 2023 independent comics article comes at the beginning of Spooktober.

You probably noticed that I never changed the banner for Spooktober even. Again, bear with me over the next week, especially, because it’s a busy one. Last night, we had a soccer game for Aiden. Today, thankfully, nothing. But, tomorrow is dress rehearsal for lip sync. Then, Thursday is lip sync. Friday is homecoming parade and game. Saturday is homecoming dance. Plus, the muffler pipe on my car finally rotted out. So, yeah, I’ll get there. Give me time.

Gunslinger Spawn #24

Writer: Uncle Todd, Artist: Brett Booth. I wish I brought better news in this first article in almost a week. Last time, I wrote about how this title felt rushed. I even found a typo in the book. I saw at least one more in this issue. Not only that, but my copy doesn’t even have the Spawn part of the title. While not as bad as Spider-Man right now, I see cracks in the armor over at McFarlane productions. In addition to the production errors, the story just bounces all over the place. Too much for my ADHD. My verdict: Decent.

Scorched #21

Writer Sean Lewis with Uncle Todd on “Additional Script”, Artist: Dexter Soy with guest Carlo Barberi on the reporter’s page. More focused than Gunslinger, the story still bounces a bit at the beginning until it settles down. Once it does, the book resembles the fun that’s missing from Gunslinger right now. Maybe they only have enough juice to fill one book right now. Fair enough. My verdict: Good.

Spawn #345

Writer: Rory McConville with Uncle Todd on Additional Script, Artist: Carlo Barberi. I make no secret of my distaste for the Heaven and Hell war angle of the story. I’ve said over and over. I know that it is a key part of the book. It just personally does nothing for me as a storyline. I always preferred Al as the avenging angel of sorts who fights for the downtrodden on Earth. With that being said, I liked this issue a lot. They’re clearly focusing on this title as the main story. That explains the slight dip in quality in the supporting books. My verdict: Good, bordering on great. If they keep it up, it might be my favorite story since Dark Horror.

Teenage Mutant Ninja Turtles #143

Writer: Sophie Campbell with Kevin Eastman as Story Consulting, Artist: Gavin Smith. The most consistently good comic in the bunch right now. Even after the inevitable let down after the amazing Armageddon Game, it still brings a strong story. The pace continues to ramp up in this issue in all aspects of the story. Every single issue I read makes me sad that I never collected this book before now. My verdict: So close to great.

The Verdict

As usual, September 2023 independent comics brings a mixed bag. While the art on all of the Spawn books is amazing, the stories on the supporting issues are uneven. Teenage Mutant Ninja Turtles, though, remains good. As long as that’s true, I look forward to the next installment of books.

Spawn images taken from the mother ship. TMNT from IDW.